Wednesday, February 22, 2012
Aug
01
2011

Should a Director Sing with Their Choir?

Posted 205 days ago ago by Bob Burroughs     14 Comments

1 likes

...or NOT?



Quote

The most perfect technique is--one that is not noticed at all.” Pablo Casals

Scripture

Let the message of Christ dwell among you richly, as you teach and admonish one another with all wisdom through psalms, hymns and songs from the Spirit, singing to God with gratitude in your hearts.”  Colossians 3:15-17

Prayer

Great God, who gave us music to fill our lives, who dwells in our being and teaches us great truths through song, today, I pray for all those men and women who truly love to make music by singing in a choir, playing in an instrumental group, or conducting groups--large or small. What a privilege and honor to be involved in making music for You to hear. We, among all peoples, are blessed. Help us to be careful to prepare and present our best sacrifices of musical praise, no matter what genre. Instill in us who lead great wisdom in preparation and performance, and to be careful to always give You praise and glory for all we do. I pray this n the strong name of the One who loved music so much that He sang a hymn before He went out following the Last Supper, Jesus. Amen, and Amen.

What Think Ye?

SHOULD YOU…OR SHOULD YOU NOT?

I know how it started with me! I served as part-time choir director at a very small church in the Asheville, NC area when I was a second year student at Mars Hill College in the mid-50s. The choir was small, as you might suspect, and there was only one tenor. The bass section was anchored by two MHC friends who enjoyed the hospitality of this wonderful church, as well as the food they had over the weekends! There were a good and faithful number of sopranos and altos.

So, on a given Wednesday night or Sunday morning when the one tenor was not present, I felt I had to sing tenor, as well as conduct, give cues, listen for incorrect notes and check balance--which, of course is next to impossible. Singing with the choir became a staple for me for a number of years--till I realized:

  • I wasn't helping the choir - only hindering them by singing along and not paying attention to the myriad of things for which a conductor is responsible.

  • No one every told me that singing with the choir limited my abilities as a conductor.

  • I figured…everyone else did it, didn't they?

Wrong! Wrong! Wrong!

Here is some "food for thought" on this subject:

It is physically impossible...for a conductor to hear the choir...if he/she sings along with them...no matter how good a voice he/she has! It just can't be done. The "sound box" is the head...resonates with the sounds from the conductor's voice…blocking out other sounds! There is no way then, a conductor can really know how the choir sounds...or what vocal parts are being missed…if the conductor chooses to sing along with the choir on a regular basis.

Good blend? Forgetaboutit! Balance of parts? Forgetaboutit! It just won't happen with a "singing conductor."

Some conductors have the notion that if they sing very LOUD, then that will encourage the choir (and congregation) to sing with more volume and power. This is especially not-so-good thinking if the conductor has a mic! I've visited a few rehearsals where the choir room sound system is at peak because the conductor is singing along at full vocal volume...oblivious to notes being obviously missed...but obliviously enjoying hearing himself sing!

And…this is an interesting side fact: I've noticed that sometimes the singers (and congregation) quit singing because they can't hear anything but the leader. I was recently in a session where the leader was singing so loud with his "golden mic" that I gave up singing and began observing other singers. Many had quite singing because there was no reason to continue. Whatever sounds they were making were lost in the "glory" of the leader's voice.

I seriously doubt that the conductor is aware that many choir members and the congregation are just not singing because of the volume from the leader's mic. It is as if he/she is enjoying the glory and majesty of his voice (with closed or uplifted eyes), oblivious to those he/she is leading!

And...to be perfectly honest, if there was a choice, the choir members would choose for the conductor NOT to sing...and to spend his/her time helping them to become better musicians, singers, and blenders. If you don't think this is true, ask the choir! Send round a questionnaire with this question: "Am I helping you when I sing with the choir?" You will be amazed at the response!

A conductor should not sing with his/her choir. A conductor should listen carefully and work out problems that are missed while trying to conduct and sing a solo concert at the same time

What think ye

Leadership


Sometimes, leaders can get so "professionally minded" that they lose sight of the elemental basics of life and faith. In His book, In the Eye of the Storm, Max Lucado offers the following simple and yet profound suggestions for leaders who would like to blossom and flourish:

  • Sometimes, make major decisions in an unusual place--away from the office

  • Love God more than you fear Hell

  • Pray twice as much as you worry

  • Once a week, let one of your children take you for a walk

  • When no one is watching, live as if someone is

  • Only harbor a grudge when God does

  • Never outgrow your love of sunsets

  • When you can't trace God's hand, trust his heart

  • The book of life is lived in chapters, so be sure to know your page number

  • Treat people like angels. You'll meet some--and help make some

This Idea Will Work

 

Successful Recruiting

If a new prospect were to walk into your choir or ensemble room, think on these things:

  • would they be welcomed immediately...

  • by someone who would take them "under their wing"...

  • and after finding out their name and voice part...

  • introduce them to others in that vocal section...

  • who would get them the evening's music packet or copies of the music...

  • answer the questions that might came up...

  • and most of all, make them feel comfortable in the rehearsal setting?

If the answer was "no" to any one of these statements, you might understand why your choir or instrumental program isn't growing! A choir or instrumental group can become a "closed community" unless you work hard at keeping the the people aware of new people and how to make them feel comfortable. This is "key" to successful recruiting. Believe it.


Taken from the book: This Idea Will Work! 136 Ways to Revitalize Your Music Ministry Lorenz #30/1794L / $12.50

Humor

What ??

A new Conductor was to have his first rehearsal with the symphony orchestra. He was thinking before hand that it might not go well. He was as wary of the musicians as they were of him. As he entered the rehearsal room, the timpanist, on purpose. sounded a loud "bong--dede-bing-bong." This angered the Conductor to be treated in this fashion. So he turned and said: "All right! Who did that?"


To read more of this week's MME, including new music reviews, please look to the right.

 © 2011 Creator Magazine All Rights Reserved






14 Comments


  • Vicki Carr 205 days ago
    0 likes
    Vern - I LOVE "River in Judea"! You can't KEEP from singing along!

    Reply
    • Vern Sanders 205 days ago
      0 likes
      I figure John bought at least one car with his royalties on that tune... vs

      Reply
  • Richard Huggins 205 days ago
    0 likes
    Amen, Bob--amen!! I believe the MoM is covering up deficiencies in either numbers, talent or preparation. The latter is the MoM's fault, of course. Singing with the choir makes him feel better about himself. But at what price? A choir who NEVER will experience the "Joy of Blending" let's call it. He is cheating his choir, in my view. But I know it must be a seductive, addictive habit--so many do it. No excuses, though! And speaking as an accompanist, let me say it drives me bonkers! THANK YOU for writing about this very important topic!

    Reply
    • Burroughs 205 days ago
      0 likes
      Richard! May your tribe increase! If we could just convince these Ministers of Music and Choral Directors that they would be better more professional conductors if they paid attention to their conducting and less about singing the Tenor or Bass part!! Your important comment is valued!

      Reply
  • Nancy Jo Doughty 205 days ago
    0 likes
    As a choir member I must agree with the article. I don't appreciate it when the director sings with the choir. All of the points raised in the article are true. I would add that when the director singing a particular part it is very distracting for the other parts. I can understand sing a particular note to part of the choir when the director knows that the singers are lost, or really off pitch, but no singing along with the whole piece please. it can also be discouraging to the choir members. They are doing their best, then the director starts singing along and I think many of us lose their confidence. It can also lead you to lose your way in th piece.

    Reply
    • Bob Burroughs 205 days ago
      0 likes
      You are right on in your comments, Nancy Jo. May your tribe increase!!

      Reply
  • Bob Burroughs 205 days ago
    0 likes
    Dave! Thanks for the comment. Mouthing should only be used, in my opinion, with the choir is singing from memory. Otherwise, the group has the words and music in front of them and mouthing becomes not worth the energy. What say you?

    Reply
  • Donald Given 205 days ago
    1 likes
    Depends on the choir. For many years I led a small choir in which people were unsure of their part and when to come in (especially the men), in spite of very clear direction. If they heard sound they would join it and sing with power. If you didn't sing with them they sounded unsure and weak because of no vocal leadership in the sections. Often if you don't sing, you are robbing the choir of the clearest, most confident singer they have. And if you only have one tenor who is lost, how does it help the choir blend for you to leave him on his own? What's more important, having all the parts or singing proper King's English vowels? Personally, I'd rather all the parts be there. I have heard these comments for years and I just don't agree with them. If you are fortunate enough to have vocal leadership in the sections, then, OK, you shouldn't sing. Also, in the other comment about "you can't hear the other singers," well, I'm sorry, but that's just wrong. I heard my singers fine and knew when they were singing wrong notes and unfocused vowels. If that were true, one would not be able to sing in an ensemble because they couldn't hear the other singers. It is more difficult, but not impossible.

    Reply
    • Bob Burroughsq 198 days ago
      0 likes
      Donald: For the most part, you are dead on, Sir! I've been in small churches and I was the ONLY tenor or ONLY bass and I had to sing. But, to make this a practice robs the conductor of being able to mold the sound and achieve better balance.The human head is a remarkable piece of sound equipment and is resonates well - and if the conductor is singing, he is filling that piece of sound equipment in his head with his own voice and one can't conduct, be aware of problems that can be solved, and be singing at the same time. What say you, Sir?

      Reply
    • Eileen Sharp 198 days ago
      0 likes
      Amen. I agree with your comments Donald but reading the other side will cause me to evaluate if my singing along, as I find myself doing, a lot, has a true purpose, or if I'm just doing something I can't stop because I'm passionate about it.

      Reply
      • Bob Burroughs 198 days ago
        0 likes
        Eileen: I would seriously evaluate your singing along with the choir. Conductors sometimes get so caught up in the music they begin singing along! Not good, if you can help it.

        Reply
    • Burroughs 205 days ago
      1 likes
      Good thoughts, Donald. You are right on target!

      Reply
  • Dave Leestma 205 days ago
    1 likes
    Bob, I fully agree, but still mouthing some words.. Congrats on "Creator's" new look! Like it alot! With appreciation, Dave - It's HOT in Houston!

    Reply
    • Vern Sanders 205 days ago
      0 likes
      I must confess that I caught myself singing along with the choir on River in Judea yesterday...but since I was at the keyboard it really didn't matter, and it was more of an Oscar Peterson thing... Dave- you should come to the central coast where it is 70 degress with a little breeze off the ocean...

      Reply

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Should a Director Sing with Their Choir? Anthem Reviews

New Product Reviews

Anthems

LifeWay Worship brings some very nice Christmas pieces to the MME table for you to see and enjoy!

Hope Is Born In Bethlehem, Words/Music by Caleb Collins & Marty Funderburk; SATB, keyboard; #005459728; $1.65; Arranged and Orchestrated by Camp Kirkland #05459730: $69.95; Numerous companion products available at the LifeWay Worship website.

  

You have to love the marvelous orchestrations that Camp Kirkland come from his fertile mind! I never cease to be amazed and thrilled by his creations. This Christmas piece is a "kicker." It moves, grooves and almost sings itself! Watch the rhythms and make sure to drive those home correctly or they will not come off clean. This is a great opener or closer for any Christmas program or for a rocking' Christmas worship service!

  

 

O Little Town of Bethlehem, Words by Phillip Brooks; Music by Lewis H. Redner with new music by Vernon Whaley; SATB, keyboard; #6-34337-180939; $1.65; Arranged and Orchestrated by Vernon Whaley #6-34337-181073: $69.95; Numerous companion products available at the LifeWay Worship website

 
Vernon Whaley is one of the nicest persons you will ever meet. He is sincerely a great guy! His orchestrations are pure genius. He has the unique skill to "get the most" out of even the simple melody. You will love this setting of the familiar carol. Vernon has added new music to the opening section, and fades beautifully into the familiar carol. The ending is so very nice--quiet, mediative and holds a few surprises! If you are looking for something really unique, this is it!


Come and Worship, A Suite for Christmas; Arranged and Orchestrated by Phlllip Keveren; SATB, Keyboard, Optional Congregation; $3.50; Numerous companion products available at the LifeWay Worship website.

  

If you are in the market for a very, very nice Christmas Suite - moderately easy, outstanding keyboard writing, creative orchestration, excellent choral parts and something your congregation will thoroughly enjoy, this is the one--and at the bargain price of $3.50! It would work with Senior Choirs, Youth or Student Choirs, small Church Choir or as a "filler" for any larger choir. I loved hearing the CD and thoroughly enjoyed the creativity that Phillip Kevern has displayed. He is indeed a most creative arranger.

  

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Song In the Air, Created by Dennis & Nan Allen for SATB, Keyboard, Orchestration, and companion products available at the LifeWay Worship website

 
From the highly acclaimed Let’s Sing series comes another fresh and exciting Dennis and Nan Allen creation. This SATB musical for any size choir includes songs by Chris Tomlin, Michael W. Smith, Bill/Gloria Gaither, and David Meece. The work is conveniently divided into four sections and can easily be presented over the four Sundays of Advent--or used in its entirety in one setting. Nan Allen’s narration creatively ties all the songs together in a beautiful seamless service. The creativity of Dennis Allen is always a joy to experience. The chorals are well done, moderately easy and worth a look. The congregation will enjoy this work as much as the choir! There is packaged Kit (10 Choral Books, 1 Listening CD, 1 Accompaniment CD, and 3 Posters) that will save your music budget and the Rehearsal Tracks make learning even easier

 


Wexford Carol, English Carol; SATB with Praise Team, keyboard; Craig Adams; #6-34337-180847; $1.65; Orchestrated by Danny Zaloudok #6-34337-181984: $69.95; Numerous companion products available at the LifeWay Worship websiteNumerous companion products available at the LifeWay Worship website

I love the Wexford Carol. Like most traditional English melodies, this tune is laid back, but speaks so much truth about Christmas. I also love Celtic music. If you like the Celtic feel, you will fall in love with this arrangement by Craig Adams! He has scored it for SATB choir (very high men's part) and Praise Team, which officially enters at measure 89--but could sing the whole way with the choir. The Praise Team scoring gives them some very nice work--and the SATB Choir has a task to perform also! This chart is just plain "fun" for a Christmas program. It is in 6/8 meter, but uses dotted quarters throughout. A couple of times through and the singers will have no problem with it! The orchestration is very exciting. This is a wonderfully creative chart. Do yourself a favor and grab it!

 

Organ

Hymn Harmonies for Organ, Alternative Verses for Congregational Singing; Arr. Mary Jo Disler; $18.95.

  

This new book is a publication of re-harmonized hymn tunes to accompany congregational singing. It is in two staves, so the pianist can also play these with the congregation. Mary Jo has selected familiar and beloved hymn tunes, adding her own special flair to enhance the melodies. These are easy to play and can be ready in a couple of readings. No "stop" information is provided. Some have modulations, which are very nice. Looking for a new alternative organ/piano book for congregational singing? Look no further!



Guitar

Guitar QuickStart, A Guide to Playing and Understanding Music Reading and Chord Techniques; Mary Jo Disler. You will find a sample syllabus and a teaching guide available at iteachguitar.com

  

One could call this book a "beginning text for studio, elective, music therapy, home school, church, and music ed courses." It is all of these--and more! This book would be particularly good for school of fine arts in the local church. When the students (or adults) finish this study, they will clearly understand the fundamentals of playing chords and reading music with the guitar. There are written exercises that teach music theory as the person plays. This book is a unique approach for classes, private lessons or…self-instruction! I'm seriously thinking of giving it a shot! The author, Mary Jo Disler, is a graduate of the University of Michigan, is a life-long church musician, a charter member of the Guitar Foundation of America and teaches guitar privately. She initiated guitar classes at the University of Michigan-Dearborn and Mercy College of Detroit, and is retired from teaching at Oakland Community College in southeastern Michigan. This is a well throughout resource. MME highly recommends this excellent book.!

Resources

 

  






Chuck Bridwell is a well-known minister of music who has been in the music ministry trenches for many years. he has just retired and has started a new service that will beneficial to a host of ministers of music. The purpose of Music Ministry Tune Up is to evaluate and support music ministries with traditional as well as blended worship styles. Take a moment to answer these questions: • Are you looking for Fresh Ideas? • Do you need Growth Strategies? • Are you having Relationship Issues? • Do you need Creative Resources? • Are you going through Worship Style Changes? • How about some Encouragement? If there is a "yes" answer to any of these questions, Chuck is your man. You can go to his website by clicking on the logo and find all the details about the Music Ministry Tune Up. It will be worth your time to take a look - and the fee is very reasonable for the caliber of information you will receive

Conferences

 

REACH is a two-day conference, September 8-9 on campus of and sponsored by Samford University School of the Arts, Birmingham, Alabama. They are bringing together leaders in church and para-church organizations--such as the Annie Moses Band, Cliff Barrows, and Gloria Gaither-- to explore ways church musicians in today's fast changing musical scene might reach others to encourage and further the Gospel. In addition to worship, presentations, and discussions, participants will live at the intersection of music and mission through Friday afternoon ministry partnerships. Dr. Joseph Hopkins, Dean of the School of Fine Arts, and Eric Mathis, Instructor of Church Music and Worship Leadership, invite MME readers to participate as they envision new relationships, cross cultural borders, and renew trust in the Holy Spirit’s ability to transform lives so the Kingdom of God might flourish in the world. You can register and discover all details here.

This will be a new kind of worship leadership conference, and is worth your time. MME recommends this conference.


Worship Expo September 29-October 1, 2011; Idlewild Baptist Church, Tampa, FL

Here are some details about the 2011 Worship Expo that will interest you!

Registration Costs: $90 (Full Conference) $60 (Two days) $40 (One day)   Group Rates: $80 (Per person for 10 or more) $70 (Per person for 20 or more)

Go to worshipexpo.org and see the list of professionals who will be there. You will be amazed, as I was, at the quality personnel that will be present. You will find prices, classes, personnel with pics and bios, hotels and much more! Take advantage of the opportunity to be inspired, encouraged, and equipped.

WORSHIP EXPO is a world-class conference event--that comes at just the right time for music leadership to be refreshed and inspired after getting the Fall program underway. You owe it to yourself to be at this event.

Bits 'n Pieces

MME is always happy to have a new sponsor! This issue introduces our readers to Lyra House Music Publications. Mary Jo Disler is the founder of LHMP and quite an accomplished musician. She plays piano, organ, and of course, as you have read previously, is deeply involved in helping the guitar become a more popular instrument for children, youth and adults. Thank you, Mary Jo, for your support of MME.

Speaking of sponsors, it always helps MME if you mention us when you ask about and/or purchase a product that we recommend. We are very grateful to our sponsors and the only way they know if you read MME is to let them know! And if you just wish to express appreciation to any of our sponsors, we know they would appreciate this, too.

Final Thought

Retreat - to Advance! If you want your choir or instrumental group to begin the Fall/Christmas Season on a high note (no pun intended!), take them on a early Fall Retreat. You can do this in your church choir or orchestra room--or take them to a nearby retreat center. Friday night and Saturday till noon or 3:00 is plenty of time to have fun together, pray for the coming season, introduce new music and love on some old pieces. And here's a special tip: Call 800-777-6713 and get copies of Creator magazine's current Choir Members Issue as a gift and resource for each of your singers. They will not only learn things, but will have plenty to discuss at table. I promise: your Fall rehearsals will go better because you have Retreated - to Advance, and advance they will! Try it--you'll like it--and so will they


 

 

 
  Bob Burroughs
is a husband, father, grandfather, composer, arranger, educator, clinician and the Editor of CREATOR magazine. In his spare time, he loves gardening, yard work, reading, and traveling. You can reach Bob at the email address below. Please don't ask for money!

 

 

 

 

 © 2011 Creator Magazine All Rights Reserved